It was one of those little mysteries that we notice that stays quietly in the backs of our minds but doesn’t nag at us.  But then somebody says something and the mystery is solved although they don’t know there ever was a mystery.

This mystery is rooted in the story of one of Jefferson City’s most prominent 19^th Century citizens, the donation of a building to the city, the founding of a church, and the creation of a center to help the city’s needy a century after a man’s death.

And a mausoleum.

Joseph M. Clarke, Ohio-born, Illinois newspaperman, Alabama horse trader, Osage County Missouri plantation owner, state legislator, and Jefferson City banker is at the center of the story.

He was a city developer and philanthropist and upon his death toward the end of 1889, he bequeathed Bragg Hall to the city.  Bragg Hall still stands at the corner of High and Monroe Streets, on the southwest corner. For decades, the upper floors were city hall, with the city council chambers (which doubled as the Municipal Court during the daytimes) on the top floor.

One of the provisions of his will was that the city had to pay for a life-size bronze statue of Clarke to be kept in the building. Portraits of his wife, Lavinia, and of his two sons, Marcus and Junius, also were to be placed prominently in the building. All of them wound up in the council chambers, the statue in the southeast corner where it watched the council proceedings, the portraits of his sons on the east wall and the life-size portrait of his wife on the west wall.  In those days, five councilmen sat on each side of the room and I always felt sorry for the councilmen on the east because Mrs. Clarke was, well, a very severe looking woman and I often wondered if any of the council members felt her withering gaze.

Bragg Hall became inadequate as a city hall in the 1970s and after negotiations with Clarke descendants, the city sold the building and moved to a new city hall.  But the new building didn’t seem to have adequate space for the bronze Clarke and the canvas family members.  Four years later, when the city opened a nutrition center, it was named for Clark. And today folks who have meals there do so under the watchful eyes of Mr. Clarke and his sons. And I think Lavinia is watching their table manners closely.

One of the other things Clarke did was to give the First Christian Church a lot at the corner of (then) East Main and Adams Street as the site for its first sanctuary, to which he also contributed liberally.

All four members of the Clarke family are in that mausoleum in the old cemetery.  One day while I was doing some church research about Clarke, I went to the mausoleum, the interior of which was pretty dusty and cobwebby and peered through the locked door.  There wasn’t much to see except for a very old chair that was slowly collapsing under the weight of dust and decades.

Why is that chair there? I wondered.  Were they expecting visitors?   Were they thinking someone would come in a sit with them for a while?  Somebody would come in and tell them what had happened with their gifts?

That chair was the mystery that stuck in the back of my mind for several years.  Since then, the mausoleum has undergone a maintenance and repair effort.

A few weeks ago I think I learned what that chair was and why it was there.

The Christian Church has been without a minister for more than a year, a situation that will be resolved this coming Sunday when our new minister preaches his first sermon.  In the interim we have had “pulpit supply” ministers filling in, including three retired ministers who are members of the congregation.  We’ve had sermons from two lay members. And on June 26, a young woman who was raised in our church—her parents and her grandmother are still active members—and then went on to become a minister stood in the pulpit and asked what kind of a church we would be in the future, one stuck in the old ways or “will we accept the mantles of change and embrace our own giftedness and passions?”

Her sermon was based on the story of Elijah, the prophet from the Old Testament Book of Kings where stories of his miracles are told—one of which is resurrection. Early in the message, Sarah Blosser Blackwell referred to an ancient custom that sometimes is practiced in some homes today:

An empty chair at a family gathering was likely referred to in passing as the “Elijah” chair.  The idea was that since Elijah did not die an earthly death, but instead was taken up into heaven, and we should save him a space in case he returned. According to Jewish tradition, Elijah was known as the messenger of the covenant and, thus, was present at every circumcision, so a chair was left open for his arrival.  Later that became the place of honor for the godfather of the child.

And there it was!

That was why the chair was in the Clarke family mausoleum—the Elijah Chair where he could sit when he returns as a harbinger of the arrival of the Messiah.

I don’t think there’s a chair in the mausoleum since the repairs were made. I could see no sign of it as I peered through the three dingy windows.  It’s unknown if the chair had been put there at the request of the Clarkes or if it was just part of a tradition in 1889.

I kind of think there should be a chair in there now, though.