Sounding the bugle call to public office

—and why it’s a good idea to know who’s blowing it and how.

We pause this week in our reveries about Africa as we reach the halfway point between the primary election and the general election to share a story that we hope reminds voters that it is wise to be careful about all of the rhetorical horn blowing that is part of today’s campaigns.

Your faithful observer and listener once heard Hughes Rudd tell the story, “Bugle Call of a Georgia Mule,” at an economic development conference at the old Ramada Inn in Jefferson City. This was in the early to mid-1970s.

Rudd (in this old CBS News photo) was a Texas-born fellow who still had a pronounced Texas twang in his gravelly voice as he told stories on newscasts, commentaries, and on the speaking circuit.  He was called by various observers “bright and bristly,” or “deft (and) sardonic,” or “puckish (and) curmudgeonly.”  He achieved his greatest popularity as a correspondent for CBS and then for ABC. He used to finish his daily newscasts with two-minute commentaries that Ted Koppel referred to as “evenhanded malice.”

Rudd didn’t read the news. He told news stories. And that’s why he was so popular. Rudd, who died at the age of 71 in 1992, had come north to study journalism at the University of Missouri but quit after three years to join the Army Air Corps early in World War II.  He had 20/40 vision in one eye so the AAC sent him to the regular Army where he became a spotter pilot for artillery batteries.

Somebody, somewhere (maybe Rudd for all I know), wrote the story I heard Hughes Rudd tell that day in Jefferson City to an audience that became increasingly amused as the story went along.  We pass it along to remind political candidates they’d best know what they’re talking about.

One fine Georgia evening a Mrs. George Wood, now deceased, called a Dr. Marvin Satterfield, a veterinarian in Hardwicke, from her home in Bryan County. It was about her mule, Horace.  She was upset and said, “Doctor, Horace is sick and I wish you would come out and take a look at him.”

The sun was setting, but there was still plenty of daylight to see by.  After asking a few questions and hearing the answers, Dr. Satterfield said, ”It’s after six o’clock and I’m eating supper.  Give him a dose of mineral oil and if he isn’t all right in the morning, phone me and I’ll come and take a look at your mule. 

She wanted to know how to give the mule the oil so the doctor said it should be through a funnel.  Mrs. Wood protested that the mule might bite her. Then Dr. Satterfield, a bit exasperated, said, “You’re a farm woman and you should know about these things.  Give it to him in the other end.’ 

Mrs. Wood went down to the barn and there stood Horace, moaning and groaning and banging his head. He certainly looked sick.  She searched for a funnel, but the nearest thing she could find was her Uncle Bill’s fox hunting horn hanging on the wall. It was a beautiful gold-plated instrument with silver tassels. She took the horn and affixed it properly.  Horace paid no attention so she was encouraged.

Then, she reached up on the shelf where the farm medicines were kept. Instead of picking up the mineral oil, nervously, she grabbed a bottle of turpentine and poured a liberal dose of it into the horn.

Horace’s head shot up with a sudden jerk and he stood dead still at attention for maybe three seconds.   Then he let out a bellow that could be heard a mile down the road.  He reared up on his hind legs, brought his front legs down, knocked out one side of the barn, cleared a five-foot fence, and started down the road at a mad gallop.  Since Horace was loaded with gas, every few jumps he made, the horn would blow.

All the hounds in the neighborhood knew when the horn was blowing, it meant Uncle Bill was going foxhunting. So out on the road they went, following close behind Horace the mule.

People who witnessed the chase said it was an unforgettable sight. First Horace, running at top speed with a horn in a most unusual position, the mellow notes issuing therefrom, the silver tassels waving and the dogs barking joyously.

They passed the home of old man Harvey Hogan, who was sitting on his front porch. It was said that Mr. Hogan had not drawn a sober breath in 15 years.  He gazed in fascinated amazement at the sight before his eyes. Up until this day he hasn’t touched another drop.

By this time, it was good and dark. Horace and the dogs were coming to the Intracoastal Waterway.  The bridge tender heard the horn blowing frantically and figured that a fast boat was approaching.  He hurriedly went out and cranked up the bridge. Horace went kerplunk into the water and drowned.  The pack of dogs went into the water, too. They all swam out without much difficulty.

What makes the story doubly interesting is that the bridge tender was also the sheriff of Bryan County and was running for re-election at the time.  When the election day came, he managed to get only seven votes and those were from kinfolks.

Those who took the trouble to analyze the election said the people figured any man who didn’t know the difference between a mule with a fox horn up his caboose and a boat coming down the Intracoastal Waterway wasn’t fit to hold public office anyway.  

That’s the story Hughes Rudd told that day in Jefferson City.  We offer it in this campaign season to those who think they have heard a bugle call to public service.  We guess citizens will be the ones who decide which end of the mule summoned the candidate to the ballot and will vote accordingly.

One thought on “Sounding the bugle call to public office

  1. I love this version of an old joke/story, & I wonder about its origins. The first version I heard of it was told by my Grandpa, & the set-up to his adaptation was to explain the reason his own Grandpa swore he’d never vote for Harry Truman. It featured a similarly enraged & musically-equipped bull (but with a french horn) that escaped Kansas City’s stockyards (still existing during my boyhood there), and had blundered through the Jenkins Music store on its way out of the West Bottoms. It set Harry, during his K.C. haberdashery days, moonlighting as the fictional night attendant of the swinging railroad span on Kansas City’s Hannibal Bridge.

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