Kind of the way things were back in our courting days.
We went to our GQT Capital 8 Theatre and we bought our popcorn and our sugar-free soft drink and sat down in some nice roomy seats. Just as the pre-movie trivia game was about to start for the three of us in the theatre, one of the theatre employees told us tornado sirens were blowing and we needed to take refuge in the bathrooms.
After an hour or so in what became two unisex bathrooms, the theatre folks gave us passes for some other night.
So we went back Saturday with our visiting daughter Liz, used our free passes and our free concessions tickets and settled into watch A GREAT AWAKENING.
We watched the charming young lady from Noovie host the various short word games or trivia questions and then theatre exploded with a deafening display of the latest in DOLBY sound technology. Then the previews came on—one movie featuring real people and four or five featuring cartoon people. All at beyond maximum volume, apparently to make the explosions that replace plots in today’s flicks more fearful.
Finally, we got to the feature. It was so loud I took out my hearing aids and even then it was so loud that I decided, as I told Nancy and Liz later, that I was eager to see the movie on TV so the sound level wasn’t so distracting as to spoil the story. I walked out of the theatre that night feeling exhausted.
Not only that, but the popcorn was mediocre. I get better popcorn at a convenience store on the other side of town.
Come to think of it, the best part of the experience was being able to go to the men’s restroom without some women in there, too. It was a safe experience in the bathroom but a danger to my hearing in the auditorium.
The movie? Pretty good for an almost-Hollywood production. Interesting story that, on reflection, lacked a little of the sophistication in story-telling and dialogue that the major studios produce.
It was produced by Sight & Sound Films, a Christian-themed spinoff of Sight and Sound Theatres, the company that has produced Biblical-themed shows in Branson for some time. In case you missed the point the movie was trying to make, the producers give it to you during the credits: “True liberty comes through Jesus Christ.” I found the statement in conflict with what I had just watched (or endured).
The movie tracks the unusual relationship between the passionate English Methodist evangelist George Whitefield (he pronounced it as if it had no “e” in the middle), who was trained as a stage actor, and the calculating and politically savvy printer, later inventor and sage who was a key to writing the Declaration of Independence and the U. S. Constitution, Benjamin Franklin, played impressively by John Paul Sneed.
Franklin realized he could profit from printing Whitefield’s sermons. Whitefield realized he could reach more people if he allowed Franklin to print and circulate his words.
(George Whitefield—The Genevan Foundation (With his “lazy left eye” sometimes George Whitefield was derisively called “Dr. Squintum” by his many detractors)
Whitefield is portrayed by a young and handsome actor with no English accent and no resemblance to the real Whitefield an instantly-inspirational figure who spoke to thousands who quickly became “saved” by his dynamic sermons. Franklin is the Franklin of our familiarity—a Christian, generally, who differ from those who think the only way to God is through Christ, which is Whitefield’s message.











