Uncertainty

I want to talk to you today about my greatest hero and about his life and his times which resonate in these uncertain days.

I want to tell you about helping George Clooney make a movie.  But Clooney, whose work I admire, is not the hero of this story.

Back about 2005, I was wrapping up my second chairmanship of my profession’s national organization, the Radio-Television News Directors Association (now the Radio Television Digital News Association) when George Clooney’s production company reached out to us to help with some information about Edward R. Murrow.  I also was the organization’s historian so the response fell to me.

Edward R. Murrow was, and is, my hero. To be involved, even in such a minor way as I was in producing an Oscar-nominated Murrow movie produced by George Clooney—who can be as serious as a heart attack in his work although many of his movies are light-hearted—is one of the most important distinctions I have gathered.

Murrow had given his greatest speech at our convention in 1958, three months after See It Now was killed by CBS boss William S. Paley. It’s known as the “wires and lights in a box” speech.  It’s also considered his professional suicide speech because he was critical of the early network television news decisions as he warned: “This instrument can teach, it can illuminate; yes, and it can even inspire. But it can do so only to the extent that humans are determined to use it to those ends. Otherwise it’s nothing but wires and lights in a box….”

Here’s the entire speech, should you choose to listen, from our convention more than 65 years ago:

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I provided the background information and a copy of the organiztion’s 1958 logo for the opening and closing segments of the movie.  You won’t see my name or that of RTNDA in any of the credits, but that was my contribution. I am not bothered by the omission. It was, after all, a minuscule part of the story.

When the movie came out, RTNDA had a reception in Washington where Clooney, Strathairn, and Grant Heslov (who played a young Don Hewitt, the creator of Sixty Minutes), attended.  I have a signed movie poster in my loft office.

Seventy-one years ago, he said:

“If we confuse dissent with disloyalty–if we deny the right of the individual to be wrong, unpopular, eccentric or unorthodox–if we deny the essence of racial equality then hundreds of millions in Asia and Africa who are shopping about for a new allegiance will conclude that we are concerned to defend a myth and our present privileged status. Every act that denies or limits the freedom of the individual in this country costs us the confidence of men and women who aspire to that freedom and independence of which we speak and for which our ancestors fought.”

McCarthyism was ramping up in America at the time.  There are those who feel we are in our greatest peril since then, perhaps greater.  Reading these words reminds us that we as a people have been where we are before and we have survived because reporters such as Murrow (and we still have some today although we are also bombarded by many on the other side) refused to back away or had no fear in confrontations with demagogues. The story of a free nation seems to be cyclical, which is one reason to study unvarnished history.

His most famous broadcast was “See it Now” on March 9, 1954 when he used McCarthy’s own words to condemn him, concluding:

“We will not walk in fear, one of another. We will not be driven by fear into an age of unreason, if we dig deep in our history and our doctrine; and remember that we are not descended from fearful men. Not from men who feared to write, to speak, to associate, and to defend causes that were for the moment unpopular.

“This is no time for men who oppose Senator McCarthy’s methods to keep silent, or for those who approve. We can deny our heritage and our history, but we cannot escape responsibility for the result. There is no way for a citizen of a republic to abdicate his responsibilities. As a nation we have come into our full inheritance at a tender age. We proclaim ourselves, as indeed we are, the defenders of freedom, wherever it continues to exist in the world, but we cannot defend freedom abroad by deserting it at home. The actions of the junior Senator from Wisconsin have caused alarm and dismay amongst our allies abroad, and given considerable comfort to our enemies. And whose fault is that? Not really his. He didn’t create this situation of fear; he merely exploited it–and rather successfully. Cassius was right. “The fault, dear Brutus, is not in our stars, but in ourselves.”

David Strathairn recreated those remarks with great effectiveness in the movie.

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I invite you, especially if you are a reporter today or a young person wanting to be a reporter in this rapidly changing world of journalism, to watch this 1975 program about Murrow, produced by the BBC.

:Bing Videos

And I invite you to read this column from constitutional lawyer John Whitehead, written in 2005 when the movie came out. It seems appropriate now:

The Rutherford Institute :: Edward R. Murrow: “We will not walk in fear, one of another.” |

I close with Murrow’s words that are a challenge to all of us when there are those who believe they can seize power because they can intimidate a nation.

“This is no time for men who oppose Senator McCarthy’s methods to keep silent, or for those who approve. We can deny our heritage and our history, but we cannot escape responsibility for the result. There is no way for a citizen of a republic to abdicate his responsibilities.”

 Murrow reaches out to us seventy years after that broadcast. All we have to do is remove “Senator McCarthy” and fill in another name and we will understand the challenge we as citizens must not avoid meeting.

One of Murrow’s journalism descendents, Dan Rather, used to close his broadcasts with the word, “Courage.”

May all of us, we who are not descended from fearful men and women, find it in 2024.

 

BINGEING

We’ll be assessing the impact of the pandemic on our lifestyles for many years.  Two of the most obvious changes involve working from home and how we were, and are, entertained.

This household involves retired people so we are always “working” from home. Nancy’s “work” was carefully scheduling well-planned trips to the grocery store, usually as I recall early on Tuesday mornings because the shelves were re-stocked overnight and it was important to get first shot at the necessities—-which sometimes were not on the strictly grocery shelves.

Can’t do without toilet paper, you know.  We long ago threw away our old catalogs from Sears, Penney’s and Montgomery Ward (did you know that the company name was actually the middle and last names of the founder, Aaron Montgomery Ward?) and we didn’t save the cobs from the sweet corn we enjoyed in the summer months.  There hadn’t been a Montgomery Ward catalog since 1985 so that supply would have been used up or discarded years before the pandemic.

Excuse the wandering.  One does that in old age.

Anyway, we—as many of you—became binge-watchers.  Our Roku device allowed us to watch all of the episodes of a series in a string of evenings.  No more waiting for next week’s episode of Downton Abbey or Doc Martin or Gray’s Anatomy or Foyle’s War.

Everybody we know thinks Yellowstone is great. We’ve tried about three times and can’t get into it.  Longmire, however, now that’s a good show!

The Crown has been good.  Outlander is especially good for one member of the house who has read books.  Finding Your Roots is interesting. And we enjoyed all of the episodes of Boston Legal.

Earlier this year we finally got up to date with Grey’s Anatomy.  Then the writers and actors went on strike and we haven’t been able to learn if Meredith Grey will find love in Boston and whether Owen Hunt finds happiness with anybody.

The pandemic wasn’t good for the cable television industry because it increased awareness by consumers that we don’t need to keep making increasingly higher monthly rates for dozens of shopping and God channels we have no interest in watching.

Thirty years ago, or so, the Missourinet gave me the summer off to develop a Missouri cable TV channel that would have been a cross between C-SPAN, CNN, and ESPN.  The idea was to let Missourians watch the legislature work, develop Missouri-interest programs (we had ideas for telecasting from various summer festivals, featuring concerts here and there, even do documentaries on various topics), pick up evening newscasts from the TV markets and broadcast them throughout the night, and cover state high school sports playoffs and re-play Missouri football games the next day—stuff like that.

When we pitched the idea to the Missouri Cable Television Association—whose executive director supported our idea—and said we could do it for the cost of one big bag of M&Ms with peanuts per customer per month, the operators of the cable systems looked at us as if we were telephone poles.

I went to the National Cable Television Association’s summer convention to learn more about the industry and my most vivid recollection is the association president talking about the coming of ala carte viewing and how the industry needed to be prepared for the day.

Well, it’s here.

“Cutting the cord,” gained momentum during the pandemic as more and more people discovered the joys of binge-watching. And while it’s great for you and me, it’s increasingly problematic for the people who provide us with that entertainment.

It used to be that we knew what shows were on what networks on which nights.  Today we don’t have the foggiest notion what’s on the regular networks other than Monday Night Football is still on Mondays and the late-night shows start at about 10:30 if we’re awake for them.  Oh, and Sixty Minutes is still on Sunday nights at a regular time unless football pushes it back.

And we still went to movie theatres.  And sat next to people, or in front of them or behnd them.

Nancy got irritated with me because I wouldn’t explain what was going on in some movies—The English Patient was especially puzzling.  I had seen it earlier when on a business trip to the nation’s capital so I knew the answer to all her questions was at the end.  But I didn’t want to explain anything because it would irritate people around us.

Been to a movie theatre lately.  Who’s there to irritate?

We, and probably most of you, don’t wait for weekly episodes of a lot of series TV.  We just wait for the producers to drop the entire season on one of our ROKU channels and we binge watch the whole season in a few nights.

And we really enjoy some of the short series programs that seem mostly to be on channels from the United Kingdom.  But more and more of the streaming channels are producing their own products.  “The Queen’s Gambit,” for example—a seven-episode series on Netflix in 2020 that became the channel’s top program in 63 countries, netted eleven Primetime Emmy Awards, one of which was the award for Outstanding Limited or Anthology Series and marked the first time a show on a streaming service won that award.  It also racked up Golden Globe and Screen Actors Guild awards.

Netflix became a change agent in all of our lives.  A recent New York Times article explained what happened.

But we’re tired of writing this entry so you’ll have to wait for the next one to see where we’re going.

Sorry, binge-blogging isn’t offered here.  At least, not today.

 

Sixty Years

I still find it awkward to tell people, “Fifty years ago…..” and then tell them what I remember from that time.

Sixty years ago today, I had been the producer of the noon news at KOMU-TV.  I was in graduate school at the University of Missouri and working as a graduate assistant instructor in the radio newscasting class which also involved being the assistant news director at KFRU Radio, anchoring some of the student-wrtiten newscasts on that station (this was before the Journalism School created KBIA where some students get their first taste of broadcast newswritig and anchoring), so I couldn’t anchor at Channel 8.  So I produced the noon newscast that reported President Kennedy had gone to Texas to assure Texans that he was not going to dump Lydon Johnson as his running mate in 1964.

We left the station at 12:30, about the time shots rang out at Dealy Plaza in Dallas.

When I walked through the front door of the rooming house at 508 S. Ninth Street (now one of at least three houses in which I lived that are now gone), one of the guys upstairs shouted down, “Is that Priddy?”

“Yeah.”

“You getter get up here! The President’s been shot!”

The people upstairs had been listening to KFRU and had heard ABC’s Don Gardiner break in with the first word of the shooting.   Most commemorations of the event today focus on Walter Cronkite and CBS-TV.  But it was Don Gardiner, normally the morning news voice on WABC in New York, who interrupting a middle of the road music show from WABC that was fed down the network between network news programs.

(105) JFK’S ASSASSINATION (ABC RADIO NETWORK) (NOVEMBER 22, 1963) – YouTube

Gardiner’s first bulletin about 12:33 p.m. CST came from United Press International correspondent Merriman Smith who was in the fifth car behind the presidential limousine as it moved from Dallas’ Love Field toward the Dallas Trade Mart, where Kennedy was to deliver a luncheon speech.

Nick George, who is announced early in the broadcast as the New York Editor for ABC, later became a teacher at the journalism school and was an influential figure in the development of some early Missourinet reporters.

As you will hear, events unfolded quickly and the reporters—mainly Smith and AP’s Jack Bell .

In 1963, reporting from remote sites was, to say the least by today’s standards, extremely primitive.

The White House press pool reporter’s car had a radiotelephone in it, the only mobile phone available to the 58 reporters in the pool. Pool reporters rotated from the back seat to the front and it ws Smith’s day in front.  Smith grabbed the radiotelephone and dictated a FLASH (the highest priority item to go out on the wire service) to Dallas UPI Bureau rookie Wilborn Hampton, who typed it into the distribution teletype machine, showed it to his editor, Jack Fallon, who shouted, “Send it!”

UPI sent it out at 12:34:

“DALLAS, NOV. 22 (UPI) – THREE SHOTS FIRED AT PRESIDENT KENNEDY’S MOTORCADE TODAY IN DOWNTOWN DALLAS.”

As the word went out and Gardiner started his broadcast, Smith was crouched in the front seat of the car while the AP’s bell was beating on his back and demanding, “Give me the goddamn phone!”  But Smith wouldn’t give it up and continued to give information to the bureau.  “On a story of this magnitude,” Smith later said, “I was not about to let it go until I new the office had it all.”

It took six minutes to get to Parkland Memorial Hospital. Smith gave the phone to Bell who called the Dallas AP burau—and couldn’t get through.  Smith ran up to the presidential limousine where he saw Texas Governor John Connally wounded. “I could not see the president’s wound. But I could see blood spattered around the interior of the rear seat and a dark stain spreading down the right side of the president’s dark gray suit.”

Smith turned to Clint Hill, the Secret Service officer who was in the followup far and ran to the presidential limousine, jumped on the back and shielded Mrs. Kennedy with his body as the car sped to thehospital, and asked, “How bad was he hit, Clint.”

“He’s dead, Smitty,” said Hill.  Smith dashed into the hospital, took a telephone from a room clerk and started dictating the information you will hear Gardiner pass along to listeners that day. Most of what you hear Gardiner reporting is based on Smith’s coverage.

UPI ran another FLASH at 1:35 that Kennedy had been declared dead.  AP was two minutes behind.

The event was an important one for radio and particularly for television.  For the first hours, the story belonged to radio.  Newspapers already had gone to press for their afternoon editions. Several put out bulleting editions.  But in the early going, the story belonged to radio.

We had no satellites to relay the story as it unfolded.  There were telephones and wire services and that was all there was. Television relied on film that had to be shot and developed, mostly black and white (because color television was just beginning) and often not even processed as positive images.  We would shoot silent negative film and the television control room could electronically reverse the polarity of the film and the viewers saw black and white pictures.

KFRU’s newsroom was in the Columbia Tribune building at 7th and Cherry Streets (it’s partly a candy store and partly a restaurant now) because the station was half-owned by the Waters family that also owned the Tribune.

The main studios were out on the eastern business loop.  In Studio A, the main studio, a slver pipe rose up behind the control board and curved toward the announcer’s position.  The pipe contained wiring that was hooked to a small red light.  That was the network bulletin light.  If the network wanted to break in on programming, that light would come on and the board operator was immediately to flip a switch that put the network on the air. When that light came on, the board operator that day, perhaps Bill Younger who worked the afternoon shift threw that switch.

I quickly walked the four or five blocks to the KFRU newsroom to huddle with Eric Engberg, the news director and fellow graduate student—-Eric later had a long career as a CBS correspondent—and we started planning local reaction stories to run when the network broke away from its coverage for its local stations to report.

I was sent out toget reaction from Senator George Parker and Representative Larry Woods.

ABC did not break until Monday morning before coming back to broadcst the funeral.

I got to know, to a lesser degree in most cases but in a greater degree in one case, some of thosewho brought us the news that day.  Nick George, for example, became an acquaintance.

The one I knew best is the one who broke the news of Kennedy’s death on national television.  Eddie Barker was the news director of KRLD-TV and radio in Dallas that day and was at the Trade Mart preparing a broadcast of the Predident’s speech.  Word already had reached him that something had happened in the motorcade and moments late the motorcade roared past the mart.  He went on the air, broadcasting what he could learn.  One of his friends who was at the mart was a doctor at Parkland who went to a telephone and called the hospital emergency room where an acquaintance told him the president was dead.

Eddie’s friend saw he was “struggling to maintain a coherent broadcast with the limited information availability,” walked over and whispered into his ear, “Eddie, he’s dead.”

“The words sent a cold chill running down my spine. I didn’t want to believe them, but the source was too good.  I then made a decision that has caused a lot of comment in the years since that strangely brilliant Friday afternoon.  I told an audience that included the whole CBS network that a reliable source had confirmed to me that President Kennedy was dead.  What I didn’t know was tht my shocking report caused a lot of anxiety at cBS News Headquarters in New York,” he recalled in his autobiography, Eddie Barker’s Notebook several years later,  Shortly after that, Walter Cronkite told viewers, “We just had a report from our correspondent, Dan Rther, in Dallas that he has confirmed tht President Kennedy is dead.”   There still had been no official confirmation.

At 1:37, our time, CBS news editor Ed Bliss—and other of those I came to know well—gave Cronkite the AP bulletin that Cronkite is often seen reading to his audience when the story is recounted on TV today.

Dan Rather is often credited with passing along the first word of Kennedy’s death. Rather, who was the new chief of the CBS New Orleans bureau, had been on the other side of the railroad overpass west of Dealy Plaza, closer to the Trade Mart, when the motorcade flew past  He ran to the Dallas CBS bureau and started working the phones to Parkland Hospital. The doctors all were busy but an operator told him two priests were in a hallway nearby.  One of them told Rather, “The President has been shot and he is dead.”  Rather, his The Camera Never Blinks, said he asked, “Are you certain of that” and the priest, who was there to perform the last rites, respoded, “Yes, unfortunately, I am.”

Rather called Barker and told him what he had.  Eddie had just talked to the doctor.  They did not know that three people at CBS, New York were listening on the broadcast loop that had been set up for Barker’s broadcast of the speech. Before Rather could tell those listening, Barker, in his broadcast that he thought was only local in Dallas, announced a source from Parkland had told him the president is dead. Rather chimed in, “Yes, yes, that’s what I hear, too.  That he’s dead.”

It wasn’t official.  But CBS radio and television went with it.

It was only a short time later, as you will hear if you listen to the ABC account, that it was reported a Dallas policeman, later identified as J.D. Tippett, had been shot and killed.  And within a few minutes, a suspect named Lee H. Oswald had been picked up.

The night police reporter for the Fort Worth Star-Telegram had slept late that day but rushed to the office when he heard of the shooting.  The newspaper started printing special editions that were snapped up by the public as soon as they hit the streets. “Inside the city room it was bedlam,” recalled then-CBS correspondent Bob Shieffer in his book, This Just In.  When word came that Oswald was going to be held in the Fort Worth jail, Schiefer dashed there and was present when Oswald was brought in.

“Early in my police reporting days, I learned a truck from the cops. People will sometimes blurt out the truth if they are surprised by the question, so I jumped in front of the handcuffed suspect, who was between two detectives, and shouted, ‘You song of a bitch, why did you do it?’”

‘”Well, I didn’t,’ he said as the cops hustled him into the lockup.”

Schiefer was just settling in back at his newsroom desk when the phone rang. A woman asked him if someone could give her a ride to Dallas.  Schiefer responded heatedly, “Lady, this is not a taxi, and besides, the president has been shot.”

“I know.  They think my son is the one who shot him.”

“Where do you live?” Schieffer. “I’ll be right over to get you.”

On the way to Dallas, said Schieffer, she seemed more concerned about herself than about the death of a president. “She railed about how Oswald’s Russian-born wife would get sympathy while no one would ‘remember the mother.’”

When Oswald’s wife and mother heard the news, they had the presence of mind to get a lawyer, John Thorne. Police placed the family in protective custody.  Several weeks later, Eddie Barker called Thorne and expressed an interest in interviewing the Marina, how a widow. Thorne, who Barker did not know, surprised him by saying, “She watches you every evening nd I’ll be glad to ask her.”  The interview was arranged during which time she told him in her Russian-accented English, “I think Lee shoot Kenedy.”

Don Gardiner died in 1977.  Bob Schieffer, 86, is a podcaster— “Bob Schieffer’s ‘About the News’ with H. Andrew Schwartz.”—retired as the host of Face the Nation in 2015 and embarked on a singing career.  Eddie Barker died in 2012.

Dan Rather is 92 and still likes to stir the stuff.  He was fired from CBS in 2006 after some reports using unauthenticated documents to report on President George W. Bush’s Vietnam War-era service. After working on the cable channel now known as AXSTV for several years. Rather joined the Youngturks YouTube channel and five years ago began writing a news letter called “Steady,” on Substack.

All of those you hear in the ABC coverage are gone now.

Merriman Smith committed suicide in 1970.  Some say he was despondent about the death of his son in Vienam and perhaps suffered from PTSD from witnessing the Kennedy murder. Jack Bell died in 1975. Clint Hill is 91 and is the last surviving person to be in the presidential limousine that day.

At Jefferson City radio station KLIK that day, news director Jerry Bryan checked the UPI wire just after climbing the stairs to the third-floor newsroom in a pre-Civil War building on Capitol Avneue and checked the UPI machine before going home to lunch.

He picked up the telephone and called the on-air studio down on the second floor and started telling listeners what Merriman Smith was sending him. He continued to report via telephone until station engineer Ed Scarr put together enough cable to run a microphone from the studio up two flights of stairs and down the hall to the newsroom so Jerry had a microphone. The station operated only during daylight hours in those days and did not have a national network.  Bryan was the Don Gardiner of Jefferson City that day until the station signed off at 5:30. A reel-to-reel recorder in the newsroom was set up to turn on automatically during the “Missouri Party Line Show” when a phone call came in from a listener. Bryan’s call to the studio triggered the recorder, which had a large reel of tape on it.  His early coverage that day was recorded, by accident, and still exists.  Jerry resigned in 1967 and became the press secretary to Governor Hearnes and now lives in St. Louis.

His assistant news director, who had come to Jefferson City from KFRU at the start of 1967 replaced him.  His memories, which have been shared at length with you in this entry, remain vivid–as do the memories of many.

Walter Cronkite, who died in 2009, was a native of St. Joseph, Missouri. He attended the unveiling in 1999 of  bronze bust in the Hall of Famous Missourians. There were two speakers at that ceremony that evening—Governor Carnahan and me.

The next day, he was introduced in the House and in the Senate and made brief remarks.  The press corps in the senate was seated at a table on the floor to the right of the dais and when Walter walked in, we made him sit at the press table with us.

For the next fifteen years that I covered the Senate from that table, I always made sure that when a new reporter joined us at the table, I made sure that person knew that was Walter’s chair they were sitting in and they were expected to do him honor with their reporting.

Before Walter Cronkite became the icon he became at the CBS Evening News desk, he had a program on Sunday afternoons called You Are There, during which historical events were portrayed.  He always finished the broadcast by proclaiming,

“What sort of a day was it?  A day like all days, filled with those events that altered and illuminate our time. And you were there.”

November 22nd started “like all days.”  But it was filled with events that altered and illuminate our time.

And I was “there.”

The demise of local news

A friend has passed along an article written a few years ago by Jonathan Bernstein, a columnist on the Bloomberg Views website in which he lamented that the “demise of local news may be ruining Congress.”  Bernstein wrote that several senators facing re-election found that “no one in their home states knows who they are.”   He cited a piece by Washington Post writer Paul Kane, who saids, “A prime cause of this fight for name recognition is the increasingly fragmented media in which partisans largely receive their news from ideologically driven cable news and social media. Middle-of-the-road voters, reliant on their local news, are often left in the dark.”

Kane noted, “Overall, there are more reporters covering Congress than ever, except they increasingly write for inside Washington publications whose readers are lawmakers, lobbyists and Wall Street investors.”   He cites North Carolina Senator Richard Burr, began his Washington career in the House before moving to the Senate in 2005.  When he arrived in Washington, three newspapers from North Carolina had Washington Bureaus.  Now, none of them do.  “I can give a major policy speech, and no newspaper in Charlotte or Raleigh or Winston-Salem will even cover that I was there, much less that I gave a policy speech.”

Bernstein offers a scenario:  The president proposes a new initiative.  If the local newspaper has a Washington bureau, a member of Congress might figure out how district voters feel and then endorse whatever constituents want.  The constituents can then read the news coverage in the local paper.  But that’s not how things work anymore.

He wrote, “More and more politically active voters get their news from national partisan TV, radio and digital outlets. Less engaged voters can easily tune out all political news, at least until the height of election season. So the safest bet for an incumbent is going to be to echo the party line (which will normally mean no coverage at all) or, better, just to keep his or her mouth shut. Why stick with the district’s needs over party loyalty when no one in the district will ever hear about it — except the die-hards who support the party line no matter what?”

He also worried that the changing face of the news business works against the local Senator or Representative proposing things that benefit the district.  “If the rewards for action are reduced, fewer and fewer members of Congress are going to bother,” he says.  The end result: “The demise of state and local political reporting is often thought of as a potential threat because without a vigorous press, no one will expose malfeasance, and politicians will have weaker reasons to avoid corruption.  But perhaps the reduced incentives for good behavior by these elected officials are an even bigger reason to despair.”

This is not just a national issue.  It is a matter of concern in every state.  The same concerns Bernstein voices apply to our state and city governments.

There probably are fewer reporters covering state capitols full-time than there are reporters covering Congress.  Newspapers from St. Joseph, Cape Girardeau, Springfield, and Joplin once had year-around reporters at the capitol.  Not today, although Springfield still sends a reporter to the Capitol during sessions.  There once were two wire services covering state government. The Associated Press is the only one left.  Second newspapers from Kansas City and St. Louis went out of business years ago.  Don’t expect to learn much from metropolitan TV or radio stations about what’s happening in Jefferson City although what happens at the capitol affects their viewers every minute of their lives.  Missouri Independent, a new and aggressive news organization whose articles appear in several newspapers, is an important addition and works hard to fill the yawning gap in coverage of state government and politics.

Missouri newspaper subscribers are more likely to get their news about state politics and government from weekly columns written by their legislators than they are to read anything from a local reporter that details or questions what the local lawmaker is doing or saying because few local news outlets have anyone focusing on covering the actions of their area lawmakers. The weekly columns from office holders must not be acceptable substitutes for reporters who are the fires to which political feet are held.

The situation is worse when it comes to local radio or television news telling of what lawmakers or even city council members are doing.   The corporatization of radio stations has eliminated many vigorous local news departments.  When stations that once had people covering city hall, the courthouse, the school board, and other local events become only one of a half dozen (or more) formats under one roof—and sometimes not even in the same town they are licensed for—with one person who does some news on all of the stations only during morning drive, citizens are not well-informed.

And in an election year, the voters are left to the mercy of manipulative commercials and partisan podcasts.

The economics and the technology of the news business have changed.  In general, those changes have led to more concerns about the bottom line and less concerns about informing the increasingly less-educated, more self-centered electorate who make up a political system that favors agendas over broad public service. The public is in danger of being the frog in the pot of water not realizing it is being boiled to death.

It has been observed that the best thing to happen to newspapers in many towns is the disappearance of local radio news.  People have only the local newspaper to turn to if they want to know about events at city hall and elsewhere. But it is unlikely those newspapers have anybody specifically assigned to make local and federal legislators accountable to their constituents. And in too many instances, local newspapers have come under ownerships that have no local commitments and thus provide few safeguards against poor public policy to their readers.

Some cities are fortunate that new owners step in who have a dedication to their communities and who believe in the responsibility the press has to them.

It is easy to blame the media for the shortcomings in political awareness among the public.  But to do so is to ignore the responsibility that we, the public, carry in a free society. Bernstein spoke of irresponsibility when he wrote, “More and more politically active voters get their news from national partisan TV, radio and digital outlets. Less engaged voters can easily tune out all political news, at least until the height of election season.”

If we despair of today’s politics, we must despair of ourselves.  While the too-often bottom-line-only news media share the blame (some might say “the credit) for what we have become as a political people, we cannot escape our own personal civic responsibility to pay attention, to ignore the manipulator and the self-serving promoter, to question claims and concepts, to ask if those who claim they can do anything unilaterally really have the power to do so in a three-branch system of checks and balances, and to evaluate, think, and act for ourselves.  Citizens cannot allow themselves to be victims of “the demise of local news.”  It is better to live and ask questions than to exist and accept self-serving answers or comfortable assurances.

Think about that as we sit in the pan of water while the political stove gets hotter.

You can read Bernstein’s article at : https://www.bloomberg.com/view/articles/2016-05-31/demise-of-local-news-may-be-ruining-congress

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